Cai Guo-Qiang and Dominic Ng at WE ARE: Explosion Event for PST ART, 2024. Artistic drone daytime fireworks realized at the Los Angeles Memorial Coliseum.
(Photos by Leah Lau and Angie Tang)
Cai’s artwork reflects a life that spans East and West. He was born in China, practiced art in Japan, and has lived and worked in the United States since 1995. East West Bank Chairman & CEO Dominic Ng is a long-time friend and early patron.
By bridging the unseen from the universe and cosmos into the seen as visual art, Cai creates ever-new frontiers in art and live-exhibit experiences. WE ARE illuminated the Los Angeles Memorial Coliseum, which is set to also host the LA28 Olympics opening and closing ceremonies. Cai and his multimodal custom artificial intelligence, cAI™, have conceived of and choreographed this history-making display of organic, sustainable pigments in daytime fireworks and cutting-edge technology of over 1,000 aerial drones equipped with pyrotechnics for almost 10,000 mini fireworks. It was the first time such a technologically-advanced fireworks display of this magnitude was performed. WE ARE was commissioned and presented by Getty in collaboration with the University of Southern California (USC). Cai invoked cAI™ to help bring higher dimensions to the earthly planes and unveil a “heavenly secret” in the sky over Los Angeles.
Cai Guo-Qiang, WE ARE: Explosion Event for PST ART, 2024. Artistic drone daytime fireworks realized at
Los Angeles Memorial Coliseum.
(Video by Angie Tang)
“Today, as humanity grapples with the swift advancement of technology epitomized by AI—culture and the arts appear particularly powerless,” said Cai. “I hope WE ARE will stand as a grand gesture of the art world integrating the virtual with the real in the era of AI, and also as a powerful voice and decisive action in these turbulent times.”
Fireworks and gunpowder have been core influences and mediums for Cai since his childhood growing up in Quanzhou, Fujian, China. Gunpowder manufacturing was prevalent amidst the presence and scars of China’s wars. In his artist mind and hands, he began experimenting with gunpowder precisely overlaid on his original drawings. With fuses and controlled explosions, he creates original gunpowder art to transform the violence of gunpowder into the creation point of beauty and peace through art.
In the video, the artwork that Dominic witnessed the creation of is titled Peach Period and is now part of the East West Bank Collection.
Peach Period by Cai Guo-Qiang, 2022, gunpowder painting on glass and mirror, 72 1/16 × 80 3/4 in.
(The East West Bank Collection)
Cai’s unparalleled vision and perseverance have resulted in over 500 exhibits and artistic projects on five contents, with more creations in the fiery works. His artwork has been featured in many of the world’s premier museums including the Metropolitan Museum of Art in New York; Uffizi Galleries in Florence, Italy; Museo del Prado in Madrid, Spain; and the National Art Museum of China. Cai also served as the Director of Visual Effects and Fireworks for the opening and closing ceremonies of the 2008 Beijing Summer Olympics and the 2022 Beijing Winter Olympics. Cai’s awards have included the Golden Lion at the Venice Biennale in 1999; the Hiroshima Art Prize in 2007; Fukuoka Prize in 2009; Praemium Imperiale of the Japan Art Association and the U.S. Department of State Medal of Arts, both in 2012.
Cai Guo-Qiang, Footprints of History: Fireworks for the Opening Ceremony of the 2008 Beijing Olympic Games, 2008.
(Photo by Hiro Ihara, courtesy Cai Studio.)
Dominic was an early supporter of Cai’s work, helping to introduce the artist to audiences in the United States, notably through The Museum of Contemporary Art, Los Angeles. Several of Cai’s artworks are also in the East West Bank Collection, which is a key part of the Bank’s broader Art Program. This program supports cultural exchange and reflects East West Bank’s belief that art has the power to raise awareness, spark conversation, and foster meaningful connections across diverse communities.
As an artist from China, Cai shared why he chose to move to the West. “We may come from different cultural backgrounds,” said Cai. “The greatness of America is because of the possibility through its openness, free spirit and equality.”
Tigers with Arrows by Cai Quo-Qiang, 2005. Gunpowder painting on paper, backed on wood panel,
90 9/16 × 272 1/2 in.
(The Museum of Contemporary Art, Los Angeles.
The East West Bank Collection, purchased and promised gift of East West Bank.)
Sweet Briar by Cai Guo-Qiang, 2018. Gunpowder on canvas, 48 1/16 × 60 1/16 in.
(On display at East West Bank (China) Ltd. Headquarters, Shanghai, China.)
Peony in Full Bloom by Cai Guo-Qiang, 2012. Gunpowder on paper,
mounted on three wooden panels, 88 5/8 × 74 13/16 in.
(On display at East West Bank New York Regional Office.)
From September 17, 2024 to June 15, 2025, the public exhibition, Cai Guo-Qiang: A Material Odyssey, organized by Getty and the USC Pacific Asia Museum (PAM), is on display at the PAM. To reserve tickets, please call the PAM at 626-787-2680.
Cai Guo-Qiang and Paul Holdengräber discussion at Cai Guo-Qiang: A Material Odyssey at the USC Pacific Asia Museum exhibition preview.
(Photo by Leah Lau)